Boston Noir 2 Page 5

  And so he has died, and so he is dead . . .

  Shortly after the funeral I went away to New Hampshire for a few days. But I can barely remember that period of time now. I sleep poorly, I yearn for summer, for a drastic change of climate, of scene. It was unwise for me to take up the responsibility of psychical research, fascinated though I am by it; my classes and lectures at the University demand most of my energy.

  How quickly he died, and so young: so relatively young.

  No history of high blood pressure, it is said.

  At the end he was arguing with everyone, however. His personality had completely changed. He was rude, impetuous, even rather profane; even poorly groomed. (Rising to challenge the first of the papers, he revealed a shirtfront that appeared to be stained.) Some claimed he had been drinking all along, for years. Was it possible . . . ? (He had clearly enjoyed the wine and brandy in Quincy that evening, but I would not have said he was intemperate.) Rumors, fanciful tales, outright lies, slander . . . It is painful, the vulnerability death brings.

  Bigots, he called us. Ignorant fools. Unbelievers—atheists—traitors to the Spirit World—heretics. Heretics! I believe he looked directly at me as he pushed his way out of the meeting room: his eyes glaring, his face dangerously flushed, no recognition in his stare.

  After his death, it is said, books continue to arrive at his home from England and Europe. He spent a small fortune on obscure, out-of-print volumes—commentaries on the Kabbala, on Plotinus, medieval alchemical texts, books on astrology, witchcraft, the metaphysics of death. Occult cosmologies. Egyptian, Indian, and Chinese "wisdom." Blake, Swedenborg, Cozad. The Tibetan Book of the Dead. Datsky's Lunar Mysteries. His estate is in chaos because he left not one but several wills, the most recent made out only a day before his death, merely a few lines scribbled on scrap paper, without witnesses. The family will contest, of course. Since in this will he left his money and property to an obscure woman living in Quincy, Massachusetts, and since he was obviously not in his right mind at the time, they would be foolish indeed not to contest.

  * * *

  Days have passed since his sudden death. Days continue to pass. At times I am seized by a sort of quick, cold panic; at other times I am inclined to think the entire situation has been exaggerated. In one mood I vow to myself that I will never again pursue psychical research because it is simply too dangerous. In another mood I vow I will never again pursue it because it is a waste of time and my own work, my own career, must come first.

  Heretics, he called us. Looking straight at me.

  Still, he was mad. And is not to be blamed for the vagaries of madness.

  19 June 1887. Boston.

  Luncheon with Dr. Rowe, Miss Madeleine van der Post, young Lucas Matthewson; turned over my personal records and notes re the mediums Dr. Moore and I visited. (Destroyed jottings of a private nature.) Miss van der Post and Matthewson will be taking over my responsibilities. Both are young, quick-witted, alert, with a certain ironic play about their features; rather like Dr. Moore in his prime. Matthewson is a former seminary student now teaching physics at Boston University. They questioned me about Perry Moore, but I avoided answering frankly. Asked if we were close, I said No. Asked if I had heard a bizarre tale making the rounds of Boston salons—that a spirit claiming to be Perry Moore has intruded upon a number of séances in the area—I said honestly that I had not; and I did not care to hear about it.

  * * *

  Spinoza: I will analyze the actions and appetites of men as if it were a question of lines, of planes, and of solids.

  It is in this direction, I believe, that we must move. Away from the phantasmal, the vaporous, the unclear; toward lines, planes, and solids.

  Sanity.

  8 July 1887. Mount Desert Island, Maine.

  Very early this morning, before dawn, dreamed of Perry Moore: a babbling gesticulating spirit, bearded, bright-eyed, obviously mad. Jarvis? Jarvis? Don't deny me! he cried. I am so . . . so bereft . . .

  Paralyzed, I faced him: neither awake nor asleep. His words were not really words so much as unvoiced thoughts. I heard them in my own voice; a terrible raw itching at the back of my throat yearned to articulate the man's grief.

  Perry?

  You don't dare deny me! Not now!

  He drew near and I could not escape. The dream shifted, lost its clarity. Someone was shouting at me. Very angry, he was, and baffled—as if drunk—or ill—or injured.

  Perry? I can't hear you—

  —our dinner at Montague House, do you remember? Lamb, it was. And crepes with almond for dessert. You remember! You remember! You can't deny me! We were both nonbelievers then, both abysmally ignorant—you can't deny me!

  (I was mute with fear or with cunning.)

  —that idiot Rowe, how humiliated he will be! All of them! All of you! The entire rationalist bias, the—the conspiracy of—of fools—bigots— In a few years— In a few short years— Jarvis, where are you? Why can't I see you? Where have you gone? —My eyes can't focus: will someone help me? I seem to have lost my way. Who is here? Who am I talking with? You remember me, don't you?

  (He brushed near me, blinking helplessly. His mouth was a hole torn into his pale ravaged flesh.)

  Where are you? Where is everyone? I thought it would be crowded here but—but there's no one— I am forgetting so much! My name—what was my name? Can't see. Can't remember. Something very important—something very important I must accomplish—can't remember— Why is there no God? No one here? No one in control? We drift this way and that way, we come to no rest, there are no landmarks—no way of judging—everything is confused—disjointed— Is someone listening? Would you read to me, please? Would you read to me?—anything!—that speech of Hamlet's—To be or not—a sonnet of Shakespeare's—any sonnet, anything—That time of year thou may in me behold—is that it?—is that how it begins? Bare ruin'd choirs where the sweet birds once sang. How does it go? Won't you tell me? I'm lost—there's nothing here to see, to touch—isn't anyone listening? I thought there was someone nearby, a friend: isn't anyone here?

  (I stood paralyzed, mute with caution: he passed by.)

  —When in the chronicle of wasted time—the wide world dreaming of things to come—is anyone listening?—can anyone help?—I am forgetting so much—my name, my life—my life's work—to penetrate the mysteries—the veil—to do justice to the universe of—of what—what had I intended?—am I in my place of repose now, have I come home? Why is it so empty here? Why is no one in control? My eyes—my head—mind broken and blown about—slivers—shards—annihilating all that's made to a—a green thought—a green shade—Shakespeare? Plato? Pascal? Will someone read me Pascal again? I seem to have lost my way—I am being blown about— Jarvis, was it? My dear young friend Jarvis? But I've forgotten your last name—I've forgotten so much—

  (I wanted to reach out to touch him—but could not move, could not wake. The back of my throat ached with sorrow. Silent! Silent! I could not utter a word.)

  —my papers, my journal—twenty years—a key somewhere hidden—where?—ah yes: the bottom drawer of my desk—do you hear?—my desk—house—Louisburg Square—the key is hidden there—wrapped in a linen handkerchief—the strongbox is—the locked box is—hidden—my brother Edward's house—attic—trunk—steamer trunk—initials R.W.M.—Father's trunk, you see—strongbox hidden inside—my secret journals—life's work—physical and spiritual wisdom—must not be lost—are you listening?—is anyone listening? I am forgetting so much, my mind is in shreds—but if you could locate the journal and read it to me—if you could salvage it—me—I would be so very grateful—I would forgive you anything, all of you— Is anyone there? Jarvis? Brandon? No one? —My journal, my soul: will you salvage it? Will—

  (He stumbled away and I was alone again.)

  Perry—?

  But it was too late: I awoke drenched with perspiration.

  * * *

  Nightmare.

  Must forget.

 
* * *

  Best to rise early, before the others. Mount Desert Island lovely in July. Our lodge on a hill above the beach. No spirits here: wind from the northeast, perpetual fresh air, perpetual waves. Best to rise early and run along the beach and plunge into the chilly water.

  Clear the cobwebs from one's mind.

  How beautiful the sky, the ocean, the sunrise!

  No spirits here on Mount Desert Island. Swimming: skillful exertion of arms and legs. Head turned this way, that way. Eyes half shut. The surprise of the cold rough waves. One yearns almost to slip out of one's human skin at such times . . . ! Crude blatant beauty of Maine. Ocean. Muscular exertion of body. How alive I am, how living, how invulnerable; what a triumph in my every breath . . .

  Everything slips from my mind except the present moment. I am living, I am alive, I am immortal. Must not weaken: must not sink. Drowning? No. Impossible. Life is the only reality. It is not extinction that awaits but a hideous dreamlike state, a perpetual groping, blundering—far worse than extinction—incomprehensible: so it is life we must cling to, arm over arm, swimming, conquering the element that sustains us.

  Jarvis? someone cried. Please hear me—

  How exquisite life is, the turbulent joy of life contained in flesh! I heard nothing except the triumphant waves splashing about me. I swam for nearly an hour. Was reluctant to come ashore for breakfast, though our breakfasts are always pleasant rowdy sessions: my wife and my brother's wife and our seven children thrown together for the month of July. Three boys, four girls: noise, bustle, health, no shadows, no spirits. No time to think. Again and again I shall emerge from the surf, face and hair and body streaming water, exhausted but jubilant, triumphant. Again and again the children will call out to me, excited, from the day-side of the world that they inhabit.

  I will not investigate Dr. Moore's strongbox and his secret journal; I will not even think about doing so. The wind blows words away. The surf is hypnotic. I will not remember this morning's dream once I sit down to breakfast with the family. I will not clutch my wife's wrist and say We must not die! We dare not die!—for that would only frighten and offend her.

  Jarvis? she is calling at this very moment.

  And I say Yes—? Yes, I'll be there at once.

  HOME SWEET HOME

  BY HANNAH TINTI

  Route 128

  (Originally published in 2004)

  Pat and Clyde were murdered on pot roast night. The doorbell rang just as Pat was setting the butter and margarine (Clyde was watching his cholesterol) on the table. She was thinking about James Dean. Pat had loved him desperately as a teenager, seen his movies dozens of times, written his name across her notebooks, carefully taped pictures of him to the inside of her locker so that she would have the pleasure of seeing his tortured, sullen face from East of Eden as she exchanged her French and English textbooks for science and math. When she graduated from high school, she took down the photos and pasted them to the inside cover of her yearbook, which she perused longingly several times over the summer and brought with her to the University of Massachusetts, where it sat, unopened, alongside her thesaurus and abridged collegiate dictionary until she met Clyde, received her M.R.S. degree, and packed her things to move into their two-bedroom ranch house on Bridge Street.

  Before she put the meat in the oven that afternoon, Pat had made herself a cup of tea and turned on the television. Channel 56 was showing Rebel without a Cause, and as the light slowly began to rise through the screen of their old Zenith, she saw James Dean on the steps of the planetarium, clutching at the mismatched socks of a dead Sal Mineo and crying. She put down her tea, slid her warm fingertips inside the V neck of her dress, and held her left breast. Her heart was suddenly pounding, her nipple hard and erect against the palm of her hand. It was like seeing an old lover, like remembering a piece of herself that no longer existed. She watched the credits roll and glanced outside to see her husband mowing their lawn. He had a worried expression on his face and his socks pulled up to his knees.

  That evening before dinner, as she arranged the butter and margarine side by side on the table—one yellow airy and light, the other hard and dark like the yolk of an egg—she wondered how she could have forgotten the way James Dean's eyebrows curved. Isn't memory a strange thing, she thought. I could forget all of this, how everything feels, what all of these things mean to me. She was suddenly seized with the desire to grab the sticks of butter and margarine in her hands and squeeze them until her fingers went right through, to somehow imprint their textures and colors on her brain like a stamp, to make them something that she would never lose. And then she heard the bell.

  When she opened the door, Pat noticed that it was still daylight. The sky was blue and bright and clear and she had a fleeting, guilty thought that she should not have spent so much time indoors. After that she crumpled backward into the hall as the bullet from a .38-caliber Saturday Night Special pierced her chest, exited below her shoulder blade, and jammed into the wood of the stairs, where it would later be dug out with a pen knife by Lieutenant Sales and dropped gingerly into a transparent plastic baggie.

  Pat's husband, Clyde, was found in the kitchen by the back door, a knife in his hand (first considered a defense against his attacker and later determined to be the carver of the roast). He had been shot twice—once in the stomach and once in the head—and then covered with cereal, the boxes lined up on the counter beside him and the crispy golden contents of Cap'n Crunch, cornflakes, and Special K emptied out over what remained of his face.

  Nothing had been stolen.

  It was a warm spring evening full of summer promises. Pat and Clyde's bodies lay silent and still while the orange sunset crossed the floors of their house and the streetlights clicked on. As darkness came and the skunks waddled through the backyard and the raccoons crawled down from the trees, they were still there, holding their places, suspended in a moment of quiet blue before the sun came up and a new day started and life went on without them.

  It was Clyde's mother who called the police. She dialed her son's number every Sunday morning from Rhode Island. These phone calls always somehow perfectly coincided with breakfast, or whenever Pat and Clyde were on the verge of making love.

  Thar she blows, Clyde would say, and take his hot coffee with him over to where the phone hung on the wall, or slide out of bed with an apologetic glance at his wife. The coffee and Pat would inevitably cool, and in this way his mother would ruin every Sunday. It had been years now since they had frolicked in the morning, but once, when they were first married and Pat was preparing breakfast, she had heard the phone, walked over to where her husband was reading the paper, dropped to her knees, pulled open his robe, and taken him in her mouth. Let it ring, she thought, and he had let it ring. Fifteen minutes later the police were on their front porch with smiles as Clyde, red-faced, bathrobe bulging, answered their questions at the door.

  In most areas of her life Clyde's mother was a very nice person. She behaved in such a kind and decorous manner that people would often remark, having met her, What a lovely woman. But with Clyde she lost her head. She was suspicious, accusing, and tyrannical. After her husband died, she became even worse. Once she got through her grief, her son became her man. She pushed this sense of responsibility through him like fishhooks, plucking on the line, reeling him back in when she felt her hold slipping, so that the points became embedded in his flesh so deep that it would kill him to take them out.

  She dialed the police after trying her son thirty-two times, and because the lieutenant on duty was a soft touch, his own mother having recently passed, a cruiser was dispatched to Pat and Clyde's on Bridge Street, and because one of the policemen was looking to buy in the neighborhood, the officers decided to check out the back of the house after they got no answer, and because there was cereal blowing around in the yard, the men got suspicious, and because it was a windy day and because the hinges had recently been oiled and because the door had been left unlocked and swung open and
because one of them had seen a dead body before, a suicide up in Hanover, and knew blood and brain and bits of skull when he saw them, he made the call back to the station, because his partner was quietly vomiting in the rosebushes, and said, We've got trouble.

  * * *

  Earlier that morning Mrs. Mitchell had let her dog out with a sad, affectionate pat on his behind. Buster was a Labrador retriever and treated all the yards on Bridge Street as if they were his own, making his way leisurely through flower beds, pausing for a drink from a sprinkler, tearing into garbage bags, and relieving himself among patches of newly planted rutabagas. Before long he was digging a hole in Pat and Clyde's backyard.

  There were small golden flakes scattered on the grass. Buster licked one up and crunched. The flakes were food, and the dog followed the promise of more across the lawn, through the back door, and over to Clyde, stiff and covered with flies, the remaining cereal a soggy wet pile of pink plaster across his shoulders. The rug underneath the kitchen table was soaked in blood. Buster left red paw prints as he walked around the body and sniffed at the slippers on the dead man's feet. The dog smelled Clyde's last moment, curled into the arch of his foot.

  The doorbell had chimed just as Clyde pierced the roast with the carving fork, releasing two streams of juice, which ran down the sides of the meat until they were captured by the raised edge of the serving plate. He paused then as he lifted the knife, waiting to hear and recognize the voices of his wife and whoever had come to visit. His stomach tightened in the silence. He was hungry. When the shot exploded he felt it all at once and everywhere—in the walls, in his eyes, in his chest, in his arms, in the utensils he was holding, in the piece of meat he was carving, in the slippers that placed him on the floor, in the kitchen, before their evening meal.